Deidre House
Wow... this is REALLY good! Modern classical/ chamber music that has its own sound. If you thought classical music was dead, here's a counterexample. Atmospheric, cerebral, yet moving.
Found this on Mikaela Davis's recommendation page, and I sure am glad I looked.
Favorite track: Safe Travels (Timo Andres).
dierretaylor
I absolutely LOVE this album. I heard you guys on NPR and instantly had to find out more!
Favorite track: Music in Circles – Part 2 (Andrew Norman).
Balance Problems is the sophomore release from yMusic -- a group of six New York City instrumentalists (Rob Moose, CJ Camerieri, Clarice Jensen, Alex Sopp, Hideaki Aomori, and Nadia Sirota) flourishing in the overlap between the pop and classical worlds. The much-anticipated follow-up to 2011's Beautiful Mechanical (Time Out New York's #1 Classical Record of the Year) features stunning new compositions from Nico Muhly, Sufjan Stevens, Andrew Norman, Mark Dancigers, Jeremy Turner, Marcos Balter, and Timo Andres, all realized through the ensemble's striking performances. The album was produced by Son Lux.
Since their inception in 2008, yMusic has sought to bring a classical chamber music aesthetic to venues outside the traditional concert hall. Their unique configuration (string trio, flute, clarinet, and trumpet) has attracted the attention of high profile collaborators-from Dirty Projectors to My Brightest Diamond-and more recently inspired an expanding repertoire of original works by some of today's foremost composers. With this new release, world-class composition and peerless performances share the center-stage, as the group continues to develop their own intense, nuanced style around a host of new works.
Balance Problems operates in a different realm than traditional chamber music. The album's intricate sonic landscape is heavily impacted by genre-defying luminary Son Lux, who, after composing the title track to the group's debut, was brought on as producer and mixing engineer for Balance Problems. With his diverse background in electronic and experimental music, Lott helped push the project to new heights: the limits of the ensemble's six acoustic instruments are expanded to create a sonic tapestry of enormous depth and subtlety, all while maintaining the integrity of the musicians' original performances. What results is a sweeping, full-bodied listen that will entice fans of indie rock, baroque pop, and classical music alike.
yMusic's members have toured and recorded with top artists across genre lines such as Bon Iver, Paul Simon, Bjork, The National, Meredith Monk, Antony & the Johnsons, David Byrne, The New York Philharmonic, and Sufjan Stevens.
supported by 57 fans who also own “Balance Problems”
So many amazing tracks on this album, each rich and deep in their own way, revealing more on every listen. At this moment, I can't make it through Brad Wells's Render without hearing something new that brings me to tears. Thank you to the composers, performers, and engineers for all the care that went into this amazing album. markschifferli
supported by 52 fans who also own “Balance Problems”
Aching beauty lies within this album. Within it's rural atmosphere, vivid vocalists and surrealistic lyrics, this is an album that is hard to forget. Highlights are 'The Guest', 'The Witch' and 'The Speakers'. Matthew Adlard
Minimal and emotionally evocative compositions for solo piano in the Ryuichi Sakamoto vein from Cincinnati's Tristan Eckerson. Bandcamp New & Notable Feb 18, 2020
Dargel layers his vocals over a heady brew of skittish electronics, and mixes in classical, rock, and pop influences. Bandcamp New & Notable Jan 29, 2015
supported by 51 fans who also own “Balance Problems”
Bewitching cello "looper" mixed like Ed Alleyne-Johnson did in early nineties but not on New Age way. Here it is as closer to J.S. Bach and his Cello Suite than Ed Alleyne. But the method is similar.
A very relaxing performance brings ears to nirvana by sounding rich harmonics from her instrument.
Siting quiet on a sofa savoring these sumptuous melodies taking my mind out of daily customs. This is what I feel while I'm listening to this album. Emmanuel Codden