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Dillon Ethier
Wow... this is REALLY good! Modern classical/ chamber music that has its own sound. If you thought classical music was dead, here's a counterexample. Atmospheric, cerebral, yet moving.
Found this on Mikaela Davis's recommendation page, and I sure am glad I looked.
Favorite track: Safe Travels (Timo Andres).
dierretaylor
I absolutely LOVE this album. I heard you guys on NPR and instantly had to find out more!
Favorite track: Music in Circles – Part 2 (Andrew Norman).
Balance Problems is the sophomore release from yMusic -- a group of six New York City instrumentalists (Rob Moose, CJ Camerieri, Clarice Jensen, Alex Sopp, Hideaki Aomori, and Nadia Sirota) flourishing in the overlap between the pop and classical worlds. The much-anticipated follow-up to 2011's Beautiful Mechanical (Time Out New York's #1 Classical Record of the Year) features stunning new compositions from Nico Muhly, Sufjan Stevens, Andrew Norman, Mark Dancigers, Jeremy Turner, Marcos Balter, and Timo Andres, all realized through the ensemble's striking performances. The album was produced by Son Lux.
Since their inception in 2008, yMusic has sought to bring a classical chamber music aesthetic to venues outside the traditional concert hall. Their unique configuration (string trio, flute, clarinet, and trumpet) has attracted the attention of high profile collaborators-from Dirty Projectors to My Brightest Diamond-and more recently inspired an expanding repertoire of original works by some of today's foremost composers. With this new release, world-class composition and peerless performances share the center-stage, as the group continues to develop their own intense, nuanced style around a host of new works.
Balance Problems operates in a different realm than traditional chamber music. The album's intricate sonic landscape is heavily impacted by genre-defying luminary Son Lux, who, after composing the title track to the group's debut, was brought on as producer and mixing engineer for Balance Problems. With his diverse background in electronic and experimental music, Lott helped push the project to new heights: the limits of the ensemble's six acoustic instruments are expanded to create a sonic tapestry of enormous depth and subtlety, all while maintaining the integrity of the musicians' original performances. What results is a sweeping, full-bodied listen that will entice fans of indie rock, baroque pop, and classical music alike.
yMusic's members have toured and recorded with top artists across genre lines such as Bon Iver, Paul Simon, Bjork, The National, Meredith Monk, Antony & the Johnsons, David Byrne, The New York Philharmonic, and Sufjan Stevens.
supported by 46 fans who also own “Balance Problems”
I'm constantly thinking where to put songs into mixes, that I listen to and this album is throwing up some great tracks. Loving Burnham's touch I have to say. Clust3r
supported by 42 fans who also own “Balance Problems”
This album has such an unbelievable musical density that it's hard to grasp all of its nuances on first listen, and it simple washes me away every time. Sarah Kirkland Snider is one of the few genuinely innovative contemporary composers, having developed her own individual recipe of success by blending the best of classical, avantgarde, and experimental music in truly overwhelming orchestrations. Sven B. Schreiber
supported by 40 fans who also own “Balance Problems”
Gloriously, laceratingly heartbreaking - in a good way! Always loved cellos. Will be listening to this lots I suspect. More please Zoe! Frances Neilson
Dargel layers his vocals over a heady brew of skittish electronics, and mixes in classical, rock, and pop influences. Bandcamp New & Notable Jan 29, 2015
C. Diab describes “Exit Rumination” as “a sonic exorcism,” and its dark, swelling songs are equal parts catharsis and tension. Bandcamp New & Notable Mar 26, 2018